Revisiting ‘The Devil Wears Prada’ in 2026 feels peculiar, considering the significant cultural shifts over the past two decades.
The stark reality of toxic work environments became a serious topic following the 2017 revelations about Harvey Weinstein.
Additionally, the advent of online services has transformed our lives, reducing comedic moments like Anne Hathaway’s character racing through NYC with a plethora of artisanal coffee and designer shoes while juggling a pet.
David Frankel’s sequel acknowledges that time has moved on.
By the time we reconnect with Runway Magazine, it’s lost much of its former glory.
Nigel Kipling (Stanley Tucci) laments, “Digital, downloadable, streamable,” as the publication grapples with a poor partnership that has brought negative attention, leaving even the formidable Miranda Priestly (Meryl Streep) at a loss when facing advertisers.
Meanwhile, Andy Sachs (Hathaway) finds herself again in the job market.
After a glamorous award ceremony, she and her team face termination via a text message—a shocking blow.
Irv Ravitz (Tibor Feldman), the magazine’s publisher, brings Andy onboard as the features editor, under the impression that Miranda is behind this move.
To her dismay, she discovers that Miranda hardly remembers her and is intent on sabotaging Andy’s ambitions.
The film follows a familiar arc, as Andy must pull off a major favor to catch Miranda’s eye—this time, it’s securing an interview with split billionaire Sasha Barnes (Lucy Liu).
Just as success seems within reach, tragedy strikes with Irv’s death, leaving his son Jay (B.J. Novak) to take over.
Jay has little regard for the magazine’s legacy, opting to dismantle it rather than uphold it, jeopardizing Miranda’s plans for advancement.
Interestingly, much like its predecessor, this installment shows scant interest in the fashion industry itself.
Andy remains a serious journalist, seemingly stuck amidst fashion’s elite.
While the first film highlighted Miranda’s astute critique of Andy’s fashion ignorance, this sequel has much less of that depth and opts for a diluted mix of high-end and designer products.
However, the pressing issue is the lack of a cohesive story.
Adhering to the classic sequel formula, characters travel to Milan for a fashion week adventure, where Andy finds herself reluctantly working with Emily (Emily Blunt), who has ascended to a significant position at Dior.
This setup leads to a convoluted series of plots that distract from the fact that only a couple of characters possess the resources needed to save Runway.
Although the returning cast performs well, even Streep appears somewhat constrained this time around—her character being tempered by an assistant reminding her of HR regulations each time she makes an innocuous comment.
Tucci, however, delivers, managing to create memorable moments reminiscent of the original.
Sadly, some characters feel underwhelming, including Miranda’s lackluster husband (Kenneth Branagh) and Andy’s mundane love interest (Patrick Brammall), who ultimately serve as mere symbols of the film’s indecision about progress versus tradition.
Cameos, a hallmark of the genre, fail to deliver the expected charm, only one (Donatella Versace) landing successfully amidst a sea of awkwardness.
Ultimately, ‘The Devil Wears Prada 2’ prioritizes Andy's journey, showcasing her overcoming hurdles to an almost farcical degree, reminiscent of Mary Tyler Moore throwing her hat in the air—proclaiming she’ll triumph against all odds.
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